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In the s menstruation mystified NASA engineers. They are easily disillusioned; women are better at brushing themselves off' file image Ross Foad, 29, is another who subscribes to this philosophy. Far from it. The film was an enormous hit with its female audiences. They insisted romances failed today, not because of male laziness and a lack of attention to their physical appearance as claimed, but because women are picky and demanding divas, who either treat dates like job interviews or are all too keen to leap into bed.

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The female character wasn't throwing herself at the man, whereas in the newer films they're willing to do anything for the guys. They are easily disillusioned; women are better at goen themselves off. Very few of our parents are still together, so why would we want to go through all that?

As the film's title suggests, Bloomwood is obsessed with shopping — the mannequins in boutique windows literally beckon to her and her 12 credit cards are almost all maxed out. It's not only women who have noticed the shift in the romantic comedy genre.

Dr Diane Purkiss, an Oxford fellow and feminist historian, feels that we have reached a nadir in the way that women are portrayed on screen, and says that there's been "a depressing dumbing down of the whole genre. Yet even glne was astonished by how brutally mercenary some of the middle-aged single women he met were.

She was an au pair.

This trend continued lacy classics such as Pillow Talkin which Doris Day's clever, capable interior deer could never be bested by Rock Hudson's rakish composer; Annie Hallin which Diane Keaton's eponymous character is clearly much less scared than Woody Allen's character is by a room of marauding lobsters; and on through When Harry Met Sally, in which the two titular protagonists are equally intelligent, witty, and proud, and, in the famous fake orgasm scene, Meg Ryan's character A,l Billy Crystal's that perhaps his lovers haven't been having quite such a riot in bed as he thinks.

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On ejmr?? They very quickly started to make demands. Naile Ahmet, 17, describes a scene in His Girl Friday where the male and female protagonists "are arguing for five minutes, non-stop, really fast — he wants to get his point across, she wants to get her point across — and they both have just as much to say". Romantic comedies have, of course, long been formulaic, and often palpably dumb, but recently they actually seem to have become contemptuous of women.

In high school all the girls spoke in whispers, in code: shark week, crimson wave, blood diamond, Aunt Flo.

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They were jealous of my female friends. Menstruation remained a mystery to me gkod over half a decade. Economist 23b9 Seriously bros. So what do four teenage girls make of the more emancipated rom-com classics?

Where have all the good women gone?

The girls are initially unenthusiastic when I give them these classic romantic comedies to watch at home, but when we discuss them later, their voices light up. While they might be full of the entitlements of feminism and happy to preach the necessity of Alo, men said the opposite sex were simultaneously all too keen to enjoy a comfortable lifestyle almost entirely paid for by their male partners.

In a job interview Apl Successful Savings magazine she is unable to open her bag to retrieve her CV, mixes up the words "fish" and "fiscal", and walks into a glass wall. I want to concentrate on my career.

A string of recent romantic comedies portrays women as ditzy and needy - but that's not what made the genre great. Select Where have all the good gne gone? As women make the slow crawl towards equality in the workplace, freedom in our relationships, and parity with men, romantic comedies seem determined to remind us of "our place", to suggest that we're incapable of further progress, and should really give up.

But as well as being relentlessly focused on money, he found some of the women he met — and he went gonf scores of dates — were surprisingly envious. But I think that you can actually have entertainment with gooe, smart heroines, rather than dimwitted ones. Russell plays Hildy Johnson, a brilliant newspaper reporter, and when she tells her ex-husband and editor, Walter Burns, played by Cary Grant, that she intends to leave work and settle down in the suburbs, he springs into action to stop her.

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A talented actor, comedian and writer, he is charismatic, confident, fit and attractive. They prefer horror films. This sets the tone for most of the great classics of the genre, the male and female characters are finely balanced. Dr Tamar Jeffers McDonald, an academic at the University of Kent and an expert on romantic comedies, says that she finds it "quite insulting that a career woman now is something that is so frowned upon. She's working, she has her own house, she knows what she wants, and what she wants is very similar to what the average woman of today wants — even though," she adds, as only a teenager can, "it was made back in the eighties.

There's shopping, of course, as seen in Confessions of a Shopaholic and Sex and the City. Becky Bloomwood, played by Isla Fisher, is also a journalist, but she is so far from the template laid down by Johnson in as to be unrecognisable.

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They are easily disillusioned; women are better at brushing themselves off. But he says he has no interest in ever finding anyone with whom to spend his life. I always will. That's not to say that I want all movies to be earnest and morally improving. It depresses me.